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#charlesancelle |
CHARLES ANCELLE WORKING BOTH SIDES OF THE CAMERA
Charles Ancelle is a French filmmaker and producer who
first discovered his love of filmmaking as a child. His childhood was spent
drawing, reading, and playing the piano - discovering the films of Stanley
Kubrick introduced Charles the medium of filmmaking beyond entertainment. Above
all, filmmaking and storytelling fills him with happiness. “I don't think anything beats being as
happy as the first day of filming any project, or when you finally screen it to
the public. Those feelings make it all worth it.”
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#charlesancelle |
Charles is a force in the industry in front of and
behind the camera. In his first film, ‘John Bondage’, was honored at the the Cannes Short Film Corner, The
HollyShorts Film Festival. At The Costa Rica International Film Festival and
the International Film Festival of Cinematic Arts, Charles won an award for the
performance of its lead actor.
The highlights of Charles’ career feature projects where he collaborates as a
writer, director and producer. He vigorously oversees each project from
conception to completion, working with production staff during production and
supervising the marketing and distribution of the films. The critically
received web series, ‘Behind
The Blinds AKA Filmmaking 101’ earned 200.000 views in the first month of its release
on the ASCA YouTube Channel. Co-produced with producing partner, Anna Skrypka,
Charles is preparing the eight episode season that is in production for its
second season.
Recent projects, the film, ‘Sisters’, and the film, ‘Sophie’, feature Charles performing a trinity of roles as
producer, writer and director. ’Sisters’ tells the story of a woman whose sister mysteriously
vanished and returns, causing heartbreaking consequences. ’Sophie’ examines the life of an android designed for
commercial human companionship.
Charles’ credits include producing two music
videos,‘Undercurrent’, and ‘Higher”, for the artist, Alina Ly. Film credits feature the
acclaimed films, ‘Waves’, ‘At Last’,
and ‘The Pinhole Effect’.
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